1 00:00:01,566 --> 00:00:03,394 The problems with living with other vampires 2 00:00:03,438 --> 00:00:05,266 are the vampires I have chosen to stay with. 3 00:00:05,309 --> 00:00:07,094 -I will kill you! -Aaah! 4 00:00:07,137 --> 00:00:08,747 ANNOUNCER: What We Do in the Shadows, 5 00:00:08,791 --> 00:00:10,923 all new Wednesdays at 10:00 on FX. 6 00:00:12,099 --> 00:00:13,535 -[drumbeat] -[fanfare] 7 00:00:13,578 --> 00:00:16,799 FX presentsFosse/Verdon. 8 00:00:19,323 --> 00:00:21,238 [elevator bell dings] 9 00:00:21,282 --> 00:00:24,024 [waves crashing] 10 00:00:30,769 --> 00:00:33,207 [applause] 11 00:00:35,165 --> 00:00:37,341 [knocking on door] 12 00:00:37,385 --> 00:00:41,432 GWEN: It's just paradise. 13 00:00:41,476 --> 00:00:43,695 JOAN SIMON: What did I tell you? 14 00:00:43,739 --> 00:00:45,958 I'm so glad you came, Gwen. 15 00:00:46,002 --> 00:00:47,786 GWEN: Well, it was Bob's idea. 16 00:00:47,830 --> 00:00:49,092 But I'm just so happy to see you. 17 00:00:49,136 --> 00:00:51,312 I think it's exactly what you two need. 18 00:00:51,355 --> 00:00:54,793 -Some time away together. -Mm-hmm. 19 00:00:54,837 --> 00:00:57,709 You have to work things out. 20 00:00:57,753 --> 00:00:59,711 You and Bobby are the only other couple 21 00:00:59,755 --> 00:01:02,323 Neil and I can stand. 22 00:01:02,366 --> 00:01:05,674 Every marriage goes through rough patches. 23 00:01:05,717 --> 00:01:08,372 Not yours. 24 00:01:08,416 --> 00:01:11,245 I threw a frozen veal chop at Neil's head last week. 25 00:01:11,288 --> 00:01:13,377 [laughs] 26 00:01:13,421 --> 00:01:15,945 -You didn't. -Oh, I did. 27 00:01:15,988 --> 00:01:19,383 You know, in my marriage, that's called foreplay. 28 00:01:19,427 --> 00:01:22,778 Neil and I, it's different than you and Bobby. 29 00:01:22,821 --> 00:01:25,737 -We're not competing. -Bob and I aren't competing. 30 00:01:27,435 --> 00:01:29,524 When we first started going together, 31 00:01:29,567 --> 00:01:33,049 Neil came to see me dance at one of Martha's shows. 32 00:01:33,093 --> 00:01:35,530 At the party afterwards, all the attention was on me. 33 00:01:35,573 --> 00:01:39,795 No one even looked at him. This was before Neil was Neil. 34 00:01:39,838 --> 00:01:42,406 I had to make a point of introducing him. 35 00:01:42,450 --> 00:01:43,842 "This is Neil Simon. 36 00:01:43,886 --> 00:01:46,149 He's a phenomenal young playwright." 37 00:01:46,193 --> 00:01:48,804 You could just see their eyes glaze over. 38 00:01:48,847 --> 00:01:50,197 Frankly, I think a part of him 39 00:01:50,240 --> 00:01:52,503 was relieved when I stopped dancing. 40 00:01:52,547 --> 00:01:53,983 It meant he never had to play wife 41 00:01:54,026 --> 00:01:56,855 at a cocktail party ever again. 42 00:01:56,899 --> 00:01:59,423 And you don't miss it, dancing? 43 00:01:59,467 --> 00:02:00,816 Oh. 44 00:02:00,859 --> 00:02:03,732 See, I just-- I can't understand that. 45 00:02:03,775 --> 00:02:07,257 Well, I was never Gwen Verdon. 46 00:02:07,301 --> 00:02:08,954 Oh, stop. 47 00:02:08,998 --> 00:02:10,956 [upbeat jazz music] 48 00:02:11,000 --> 00:02:12,828 ♪ 49 00:02:12,871 --> 00:02:15,657 ♪ Show me the way to get out of this world ♪ 50 00:02:15,700 --> 00:02:17,354 ♪ 'Cause that's where everything is ♪ 51 00:02:17,398 --> 00:02:20,836 GWEN: The funny thing is I've always loved baseball. 52 00:02:20,879 --> 00:02:22,316 HAL: I didn't know this. 53 00:02:22,359 --> 00:02:24,100 And when I was ten, 54 00:02:24,144 --> 00:02:26,842 I told my father that I wanted to grow up to be a pitcher 55 00:02:26,885 --> 00:02:29,453 for the Boston Braves, just like Babe Ruth. 56 00:02:29,497 --> 00:02:31,455 -What did he say? -Well, he said, 57 00:02:31,499 --> 00:02:34,241 "The Boston Bravesare the worst team in baseball, 58 00:02:34,284 --> 00:02:36,765 "and Babe Ruth should have hung up his cleats six years ago 59 00:02:36,808 --> 00:02:38,288 when he could still hit the ball." 60 00:02:38,332 --> 00:02:39,420 HANK: Oh, that's good. 61 00:02:39,463 --> 00:02:41,030 Say, George and I, 62 00:02:41,073 --> 00:02:44,033 I think we landed on a choreographer. 63 00:02:44,076 --> 00:02:47,428 -Tell me, tell me. -Bobby Fosse. 64 00:02:47,471 --> 00:02:50,257 He did Pajama Gamefor us. 65 00:02:50,300 --> 00:02:52,215 But what about Jerry? 66 00:02:52,259 --> 00:02:54,565 Well, Jerry--Jerry-- Jerry's fantastic, 67 00:02:54,609 --> 00:02:56,915 but, I mean, Jerry Robbins wouldn't know 68 00:02:56,959 --> 00:02:59,440 a baseball diamond from a squash court. 69 00:02:59,483 --> 00:03:02,269 You need someone for this show who really understands 70 00:03:02,312 --> 00:03:04,836 the vernacular, who understands Americana. 71 00:03:04,880 --> 00:03:08,623 But it isn't just a show about baseball, Hal. 72 00:03:08,666 --> 00:03:12,496 It's a modern-day Faust, and you need someone 73 00:03:12,540 --> 00:03:14,455 who's not afraid of darker material. 74 00:03:14,498 --> 00:03:16,500 -Someone like Jerry. -You're going to love Bobby. 75 00:03:16,544 --> 00:03:18,415 He's married to Joanie McCracken. 76 00:03:18,459 --> 00:03:20,635 No, no, I know who he is. He's the one with the hats. 77 00:03:20,678 --> 00:03:22,332 He does a lot more than hats. 78 00:03:22,376 --> 00:03:23,812 He's only choreographed one show. 79 00:03:23,855 --> 00:03:25,466 That is the beauty of it. 80 00:03:25,509 --> 00:03:26,815 He's still got something to prove. 81 00:03:26,858 --> 00:03:29,034 Well, it sounds like the decision 82 00:03:29,078 --> 00:03:30,427 has already been made, Hal. 83 00:03:30,471 --> 00:03:32,429 Now, why don't you meet him? 84 00:03:32,473 --> 00:03:33,952 [sighs] 85 00:03:33,996 --> 00:03:36,738 Well, we'll meet at rehearsals, I'm sure. 86 00:03:36,781 --> 00:03:38,392 Well, actually, he suggested that it might be nice 87 00:03:38,435 --> 00:03:39,958 if the two of you were to get together 88 00:03:40,002 --> 00:03:41,743 a little bit sooner, hmm? 89 00:03:41,786 --> 00:03:44,267 He wants to teach you some of the steps, watch you move. 90 00:03:44,311 --> 00:03:48,140 -He wants to audition me. -He wants to meet you. 91 00:03:48,184 --> 00:03:50,534 In order to audition me. 92 00:03:50,578 --> 00:03:52,406 Look, I told him I thought it was absurd, 93 00:03:52,449 --> 00:03:54,103 but you know these choreographers. 94 00:03:54,146 --> 00:03:55,409 They get an idea in their heads, and-- 95 00:03:55,452 --> 00:03:57,889 You offered me the part a month ago. 96 00:03:57,933 --> 00:04:00,501 Gwen, if I didn't think the two of you 97 00:04:00,544 --> 00:04:02,503 were a perfect match, I would tell the guy 98 00:04:02,546 --> 00:04:05,070 to go take a hike, I promise you. 99 00:04:05,114 --> 00:04:08,422 There is a real sense of humor in his work, 100 00:04:08,465 --> 00:04:10,554 a-a real joy. 101 00:04:10,598 --> 00:04:13,078 But sophisticated, like Chaplin. 102 00:04:13,122 --> 00:04:15,429 Like Verdon. 103 00:04:15,472 --> 00:04:18,432 [ambient swing music] 104 00:04:18,475 --> 00:04:21,391 -Fine, I'll do it. -Thank you, Gwen. 105 00:04:21,435 --> 00:04:23,350 Don't thank me. If I don't like him, 106 00:04:23,393 --> 00:04:25,961 you'll be stuck looking for a new choreographer. 107 00:04:26,004 --> 00:04:28,964 [soft music] 108 00:04:29,007 --> 00:04:35,840 ♪ 109 00:04:39,148 --> 00:04:40,932 [Gwen sighs] 110 00:04:40,976 --> 00:04:45,676 ♪ 111 00:04:45,720 --> 00:04:48,984 [musical flourish] 112 00:04:53,510 --> 00:04:56,470 [tense music] 113 00:04:56,513 --> 00:04:58,820 [elevator bell dings] 114 00:04:58,863 --> 00:05:05,740 ♪ 115 00:05:07,611 --> 00:05:09,309 [exhales sharply] 116 00:05:21,625 --> 00:05:24,672 [applause] 117 00:05:30,852 --> 00:05:32,854 [elevator bell dings] 118 00:05:54,658 --> 00:05:57,661 -Mr. Fosse? -Oh, Bobby, please. 119 00:05:57,705 --> 00:06:01,535 Oh, well. It's a pleasure. 120 00:06:01,578 --> 00:06:03,667 Very nice to meet you. 121 00:06:03,711 --> 00:06:05,539 You're Joan McCracken's husband. 122 00:06:05,582 --> 00:06:07,454 -Do you know Joanie? -Yes. 123 00:06:07,497 --> 00:06:11,022 Oh, she is one of my favorite actresses. 124 00:06:11,066 --> 00:06:14,417 Oh, yeah, she's-- she's a hoot. 125 00:06:14,461 --> 00:06:16,463 You know, I saw her in Galileo. 126 00:06:16,506 --> 00:06:20,467 -Oh, yeah, you saw that? -Every look, every gesture. 127 00:06:20,510 --> 00:06:23,687 It--it all told you something about the character. 128 00:06:23,731 --> 00:06:25,689 She'll be very flattered to hear that. 129 00:06:25,733 --> 00:06:29,301 Your boyfriend, uh-- he's an actor too, isn't he? 130 00:06:29,345 --> 00:06:30,781 -Scott. -Yeah. 131 00:06:30,825 --> 00:06:33,131 -Brady. -That's right. 132 00:06:33,175 --> 00:06:36,483 Scott Brady. He's always playing a cowboy. 133 00:06:36,526 --> 00:06:37,919 Yeah, I've seen him on television. 134 00:06:37,962 --> 00:06:41,313 -Very tall, isn't he? -Well, he's not short. 135 00:06:41,357 --> 00:06:43,707 [chuckles] 136 00:06:43,751 --> 00:06:46,493 I have to admit, 137 00:06:46,536 --> 00:06:49,321 I didn't see your show. 138 00:06:49,365 --> 00:06:54,239 But I heard it was charming. 139 00:06:54,283 --> 00:06:56,503 I didn't see yours either. Uh... 140 00:06:56,546 --> 00:06:58,374 [clears throat] 141 00:06:58,418 --> 00:07:01,159 I guess that makes us even. [chuckles] 142 00:07:01,203 --> 00:07:03,466 You know, I didn't realizethat you'd started as a dancer. 143 00:07:03,510 --> 00:07:05,512 Sure, sure. 144 00:07:05,555 --> 00:07:07,514 Michael Kidd told me that he met you out in Hollywood, 145 00:07:07,557 --> 00:07:09,603 and you were on contract with MGM. 146 00:07:09,646 --> 00:07:11,256 That's true. 147 00:07:11,300 --> 00:07:12,649 Yeah, you asked Michael Kidd about me? 148 00:07:12,693 --> 00:07:14,695 Well, I asked a lot of people about you. 149 00:07:14,738 --> 00:07:17,045 [laughs] 150 00:07:17,088 --> 00:07:19,482 Oh, that must have been difficult. 151 00:07:19,526 --> 00:07:22,529 Uh, what's that? 152 00:07:22,572 --> 00:07:24,966 Well, giving up dancing. 153 00:07:25,009 --> 00:07:28,360 I still dance a little. Yeah, a little bit. 154 00:07:28,404 --> 00:07:29,753 Well, you're not going to cast yourself 155 00:07:29,797 --> 00:07:31,538 in this show, are you? 156 00:07:31,581 --> 00:07:35,411 Well, if they'd let me, I'd play your part. 157 00:07:35,455 --> 00:07:38,153 [laughter] 158 00:07:38,196 --> 00:07:40,677 -You--uh, you warmed up? -Of course. 159 00:07:40,721 --> 00:07:42,636 Do you want some water or something or-- 160 00:07:42,679 --> 00:07:44,681 Why don't we just get started with the audition? 161 00:07:44,725 --> 00:07:48,772 Yeah, sure. Um... 162 00:07:48,816 --> 00:07:50,513 What would you like to see me do? 163 00:07:50,557 --> 00:07:51,862 I thought I'd teach you something, actually, 164 00:07:51,906 --> 00:07:53,385 if that's okay. 165 00:07:53,429 --> 00:07:55,213 Uh, one of the numbers from the show. 166 00:07:55,257 --> 00:07:57,694 Have Richard and Jerryshown you any of the tunes yet? 167 00:07:57,738 --> 00:07:59,696 They came to my apartment three months ago 168 00:07:59,740 --> 00:08:02,525 -to play through the score. -Oh, yeah. 169 00:08:02,569 --> 00:08:04,179 To try to entice me to do the part. 170 00:08:04,222 --> 00:08:06,703 Oh, well, I-I was just playing around 171 00:08:06,747 --> 00:08:09,445 with the big act one number, "Whatever Lola Wants." 172 00:08:09,489 --> 00:08:11,099 I haven't got every piece of it figured out quite yet, 173 00:08:11,142 --> 00:08:12,143 but, uh-- 174 00:08:12,187 --> 00:08:14,624 What's taking you so long? 175 00:08:14,668 --> 00:08:15,756 [chuckles] 176 00:08:15,799 --> 00:08:17,932 It's a seduction, the whole number. 177 00:08:17,975 --> 00:08:19,150 Clearly. 178 00:08:19,194 --> 00:08:22,893 Um, Joe's here, 179 00:08:22,937 --> 00:08:28,551 and there's some dialogue at the top. 180 00:08:28,595 --> 00:08:32,424 Dialogue, dialogue, dialogue. Drums come in. 181 00:08:32,468 --> 00:08:35,471 You're already tired, so your arm drops. 182 00:08:35,515 --> 00:08:38,692 That's hardly seductive. 183 00:08:38,735 --> 00:08:40,128 She's not very good at seducing. 184 00:08:40,171 --> 00:08:42,391 Full rotation of the feet. 185 00:08:42,434 --> 00:08:45,046 I thought she was the world's greatest temptress. 186 00:08:45,089 --> 00:08:48,571 In her prime, but she's 172 years old. 187 00:08:48,615 --> 00:08:50,486 A little long in the tooth for a temptress. 188 00:08:50,530 --> 00:08:52,270 Chin down on the soutenu. 189 00:08:52,314 --> 00:08:53,750 You caught that wave, that's nice. 190 00:08:53,794 --> 00:08:56,623 And then you're here. 191 00:08:56,666 --> 00:09:00,714 Scoot, contract, and there. Slouch the shoulders. 192 00:09:00,757 --> 00:09:02,716 Slouch? I don't think I've ever 193 00:09:02,759 --> 00:09:05,240 heard that word from a choreographer before. 194 00:09:05,283 --> 00:09:06,720 Oh, you don't want to give anything away. 195 00:09:06,763 --> 00:09:08,939 Let him come to you. 196 00:09:08,983 --> 00:09:11,202 ♪ Whatever Lola wants 197 00:09:11,246 --> 00:09:12,813 [imitates drums] 198 00:09:12,856 --> 00:09:14,945 ♪ Lola gets 199 00:09:14,989 --> 00:09:16,730 I'm not moving? 200 00:09:16,773 --> 00:09:18,601 What's sexier than standing still? 201 00:09:18,645 --> 00:09:20,472 The movement comes here. 202 00:09:20,516 --> 00:09:24,868 ♪ And, little man, little Lola wants you ♪ 203 00:09:24,912 --> 00:09:26,304 [imitates staccato music] 204 00:09:26,348 --> 00:09:28,742 Toss your glove on the cut-off. 205 00:09:28,785 --> 00:09:33,007 -It's a striptease. -Now you're catching on. 206 00:09:33,050 --> 00:09:36,967 Next verse is the same. Pulse on the first eight bars. 207 00:09:37,011 --> 00:09:38,316 And... 208 00:09:38,360 --> 00:09:40,492 ♪ Make up your mind to have 209 00:09:40,536 --> 00:09:42,669 They're not going to let you do this, you know. 210 00:09:42,712 --> 00:09:44,758 ♪ No regrets 211 00:09:44,801 --> 00:09:45,846 Who's "they"? 212 00:09:45,889 --> 00:09:48,022 George, Hal, the audience, critics. 213 00:09:48,065 --> 00:09:50,633 You can't do a striptease on Broadway. 214 00:09:50,677 --> 00:09:53,854 You think it's vulgar? 215 00:09:53,897 --> 00:09:55,986 ♪ Recline yourself 216 00:09:56,030 --> 00:09:58,902 BOTH: ♪ Resign yourself, you're through ♪ 217 00:09:58,946 --> 00:10:00,817 [imitates staccato music] 218 00:10:00,861 --> 00:10:03,690 The other glove goes. Yeah. 219 00:10:03,733 --> 00:10:08,695 And now we're on to the bridge.Start to undo your skirt, and... 220 00:10:08,738 --> 00:10:10,000 ♪ I always get 221 00:10:10,044 --> 00:10:12,002 And hips straightthrough to Joe. 222 00:10:12,046 --> 00:10:13,351 ♪ What I aim for 223 00:10:13,395 --> 00:10:15,745 Six, seven, eight. 224 00:10:15,789 --> 00:10:17,921 -♪ Your heart and soul -Squeeze out of your skirt. 225 00:10:17,965 --> 00:10:20,924 -And-- -♪ Is what I came for 226 00:10:20,968 --> 00:10:21,795 Drop. 227 00:10:21,838 --> 00:10:23,666 [sputters] 228 00:10:23,710 --> 00:10:25,233 Where'd you learn that? 229 00:10:25,276 --> 00:10:28,889 I was dancingburlesque houses when I was 14. 230 00:10:28,932 --> 00:10:31,674 Huh. One, two, three... 231 00:10:31,718 --> 00:10:32,806 [sputters] 232 00:10:32,849 --> 00:10:34,329 I was 13. 233 00:10:34,372 --> 00:10:36,810 -One, two, three...-I played theFlorentine Gardens. 234 00:10:36,853 --> 00:10:39,813 -That's fancy. -Oh, and it was. 235 00:10:39,856 --> 00:10:42,729 Peanut shells on the floor and everything. 236 00:10:42,772 --> 00:10:44,731 I don't mean to brag, 237 00:10:44,774 --> 00:10:47,472 but I headlined at the Cave of Winds. 238 00:10:47,516 --> 00:10:49,823 -You did not. -Yeah. 239 00:10:49,866 --> 00:10:51,694 What about your mother? 240 00:10:51,738 --> 00:10:53,174 She didn't mind you dancing in those places? 241 00:10:53,217 --> 00:10:56,743 Oh, no, no, my mother always encouraged me. 242 00:10:56,786 --> 00:11:00,834 -Your father? -My father was... 243 00:11:00,877 --> 00:11:03,488 less encouraging. Your parents? 244 00:11:03,532 --> 00:11:06,056 Oh, they didn't care where I was dancing 245 00:11:06,100 --> 00:11:08,755 as long as I brought money home, boo-hoo. 246 00:11:08,798 --> 00:11:11,888 -Should we go back? -Let's go on. 247 00:11:13,629 --> 00:11:18,068 Uh, leg up, and back to Joe, and one, two, three, four, 248 00:11:18,112 --> 00:11:19,983 five, arms, seven. 249 00:11:20,027 --> 00:11:22,986 Left, right, left, right-- what's that? 250 00:11:23,030 --> 00:11:24,988 She had an itch. She had to scratch it. 251 00:11:25,032 --> 00:11:28,339 -[chuckles] You'realready adding steps?-I'm already making it better. 252 00:11:28,383 --> 00:11:30,341 [scats] 253 00:11:30,385 --> 00:11:32,126 Would you do that with Jack Cole? 254 00:11:32,169 --> 00:11:33,910 I asked about you, too. 255 00:11:35,607 --> 00:11:37,914 Jack Cole always appreciated 256 00:11:37,958 --> 00:11:40,743 my suggestions for improvements. 257 00:11:40,787 --> 00:11:43,964 -That's not his reputation. -Oh, sometimes, he might yell, 258 00:11:44,007 --> 00:11:47,532 or throw something. A hat, a shoe, a chair. 259 00:11:47,576 --> 00:11:50,710 -Why didn't you leave? -And go where? 260 00:11:54,017 --> 00:11:55,845 What comes next? 261 00:11:58,892 --> 00:12:01,808 Um, next part. [spits] 262 00:12:01,851 --> 00:12:05,333 I thought you didn't haveall the pieces figured out yet. 263 00:12:05,376 --> 00:12:08,379 Well, I try to be modest. 264 00:12:08,423 --> 00:12:11,992 Five, six, a-five, six, seven, eight. 265 00:12:12,035 --> 00:12:14,995 Tap and hip, add the turn, and back to Joe. 266 00:12:15,038 --> 00:12:16,736 [scatting] 267 00:12:19,216 --> 00:12:20,652 [deep breaths] 268 00:12:20,696 --> 00:12:21,828 When do I find out if I got this part or not? 269 00:12:22,829 --> 00:12:23,917 You already got this part. 270 00:12:23,960 --> 00:12:25,266 You had the part before you walked in here. 271 00:12:25,309 --> 00:12:28,008 Well, why didn't you just say so when I came in here? 272 00:12:28,051 --> 00:12:29,966 You didn't ask. 273 00:12:31,707 --> 00:12:34,666 [groovy music] 274 00:12:34,710 --> 00:12:40,194 ♪ 275 00:12:40,237 --> 00:12:45,852 -Hey, you're still up. -Oh, it's not so late, is it? 276 00:12:45,895 --> 00:12:49,856 -Well, it's after 12:00. -You are absolutely right. 277 00:12:52,859 --> 00:12:54,034 How you feeling? 278 00:12:54,077 --> 00:12:56,645 Well, I'm much better than yesterday. 279 00:12:56,688 --> 00:12:59,561 -You need your sleep, Joanie. -I'm fine. 280 00:13:04,696 --> 00:13:06,611 -How was it? -Yeah, it was good. 281 00:13:06,655 --> 00:13:09,919 -She's good, yeah. -You liked her? 282 00:13:09,963 --> 00:13:11,486 She's fast. 283 00:13:11,529 --> 00:13:13,270 I planned to teach her the first 16 bars. 284 00:13:13,314 --> 00:13:14,924 We ended up doing the whole number. 285 00:13:16,012 --> 00:13:16,883 How about that? 286 00:13:16,926 --> 00:13:19,886 [jazzy music] 287 00:13:19,929 --> 00:13:23,454 ♪ 288 00:13:23,498 --> 00:13:24,891 BOB: I think you're going to love her. 289 00:13:24,934 --> 00:13:27,894 She's a natural with these steps. 290 00:13:27,937 --> 00:13:29,852 -Can she act? -Yeah, she can act. 291 00:13:29,896 --> 00:13:31,680 She can--she can sing. 292 00:13:33,769 --> 00:13:35,640 Everyone, everybody, stop. 293 00:13:35,684 --> 00:13:37,729 You see what Gwen's doing with the arms? 294 00:13:37,773 --> 00:13:39,122 Everyone see that? 295 00:13:39,166 --> 00:13:40,950 Gwen, show them what you're doing with the arms. 296 00:13:40,994 --> 00:13:43,997 Scooping ice cream! 297 00:13:44,040 --> 00:13:46,651 Diamonds and pearls. 298 00:13:46,695 --> 00:13:48,784 She brought you up, first thing. 299 00:13:48,828 --> 00:13:51,004 Yeah, she loved you in Galileo. 300 00:13:51,047 --> 00:13:52,919 Really? Well, that's very nice. 301 00:13:52,962 --> 00:13:55,225 Yeah, she's a big fan of yours. 302 00:13:55,269 --> 00:13:57,227 She said that. 303 00:13:57,271 --> 00:14:00,143 Five, six, a-five, six, seven, eight. 304 00:14:00,187 --> 00:14:06,236 ♪ 305 00:14:06,280 --> 00:14:08,238 [all yell] 306 00:14:08,282 --> 00:14:11,763 ♪ 307 00:14:11,807 --> 00:14:13,853 -You need anything, or... -No. 308 00:14:16,768 --> 00:14:18,901 -A glass of water or something?-Mm-mm. 309 00:14:18,945 --> 00:14:22,774 ♪ 310 00:14:22,818 --> 00:14:24,820 That's it. 311 00:14:24,864 --> 00:14:26,909 That's it, that's the step, fellas. 312 00:14:26,953 --> 00:14:34,090 ♪ 313 00:14:52,979 --> 00:14:55,503 Can we take this lift stage right, please? 314 00:14:55,546 --> 00:14:59,072 Get Julia downstage, sweetheart. 315 00:14:59,115 --> 00:15:00,812 Can we just go again from the top, Bobby? 316 00:15:00,856 --> 00:15:03,772 I don't have it in my body yet. 317 00:15:03,815 --> 00:15:06,862 You heard the lady.Let's take it all the way back. 318 00:15:06,906 --> 00:15:13,129 ♪ 319 00:15:14,174 --> 00:15:15,610 [heavy breathing] 320 00:15:15,653 --> 00:15:22,486 ♪ 321 00:15:43,029 --> 00:15:45,770 [heavy breathing] 322 00:15:45,814 --> 00:15:48,251 If you make us do it again, we'll kill you, I swear. 323 00:15:48,295 --> 00:15:50,166 [laughter] 324 00:15:50,210 --> 00:15:52,081 Just once more. 325 00:15:52,125 --> 00:15:53,256 -[groans] -[laughter] 326 00:15:53,300 --> 00:15:55,650 God! 327 00:15:55,693 --> 00:15:58,261 Hey, Joanie. 328 00:15:58,305 --> 00:16:00,611 It's Joanie McCracken, everyone. 329 00:16:00,655 --> 00:16:03,049 -How much time do I have? -About 20. 330 00:16:03,092 --> 00:16:06,095 If I could see how we get into the final picture again. 331 00:16:06,139 --> 00:16:08,445 You can mark it this one time. 332 00:16:09,881 --> 00:16:12,058 Uh, let's take it from the turnaround. 333 00:16:12,101 --> 00:16:15,235 LONNIE: Give me two bars. And... 334 00:16:15,278 --> 00:16:18,238 [bright piano music] 335 00:16:18,281 --> 00:16:21,719 ♪ 336 00:16:21,763 --> 00:16:25,941 George, you're further right. Further right, George. 337 00:16:29,989 --> 00:16:32,687 -What's wrong? -It happened again. 338 00:16:32,730 --> 00:16:36,952 -I can't stand up. -Okay, yeah, yeah. 339 00:16:36,996 --> 00:16:39,389 Uh, hey, everyone, great. 340 00:16:39,433 --> 00:16:41,652 That's starting to look like a real number, isn't it? 341 00:16:41,696 --> 00:16:45,308 Uh, you're getting out early today for good behavior. 342 00:16:45,352 --> 00:16:46,918 Nice job. We'll revisit it tomorrow. 343 00:16:46,962 --> 00:16:48,616 I'm going to need the room, though, 344 00:16:48,659 --> 00:16:52,185 so if everyone could please, uh, give me some space. 345 00:16:57,146 --> 00:17:00,541 -JOANIE: I'm sorry,I'm so sorry.-It's okay. 346 00:17:00,584 --> 00:17:03,022 Such an honor. 347 00:17:07,504 --> 00:17:11,987 BOB: Hey, hey, it's okay. It's okay, come on. 348 00:17:12,031 --> 00:17:13,945 -I'm sorry. -BOB: Please don't apologize. 349 00:17:13,989 --> 00:17:15,773 Let's get you home. 350 00:17:15,817 --> 00:17:18,428 [melancholy music] 351 00:17:18,472 --> 00:17:21,083 It's okay, it's okay, sweetheart. 352 00:17:21,127 --> 00:17:27,959 ♪ 353 00:17:43,410 --> 00:17:44,889 I'll tell you, if only they had 354 00:17:44,933 --> 00:17:48,023 some halfway decent scenery here. 355 00:17:48,067 --> 00:17:52,245 Neil was saying there's some ruins a few miles inland. 356 00:17:52,288 --> 00:17:53,811 2,000 years old. 357 00:17:53,855 --> 00:17:56,727 He said to bring a bottle of wine and watch the sunset. 358 00:17:56,771 --> 00:17:59,339 Is that what you think this is, Bob? 359 00:17:59,382 --> 00:18:01,297 A romantic getaway? 360 00:18:02,298 --> 00:18:05,258 Forget I said anything. 361 00:18:05,301 --> 00:18:07,521 Believe it or not, I didn't leave our child 362 00:18:07,564 --> 00:18:10,828 to fly halfway across the worldto take in the sights with you. 363 00:18:12,308 --> 00:18:14,310 Then why did you come? 364 00:18:16,182 --> 00:18:17,357 Because you told me you were going to 365 00:18:17,400 --> 00:18:19,750 swallow a bottle of Seconal. 366 00:18:22,188 --> 00:18:24,407 Maybe you should have let me. 367 00:18:28,411 --> 00:18:30,935 Why don't you take that line again? 368 00:18:30,979 --> 00:18:32,937 No, the dialogue's fine. 369 00:18:32,981 --> 00:18:35,375 It's just that the delivery, it wasn't very convincing. 370 00:18:35,418 --> 00:18:38,029 Hey, what are you talking about?What are you trying to-- 371 00:18:38,073 --> 00:18:40,771 What--what the fuck-- what do you want from me? 372 00:18:40,815 --> 00:18:44,297 -Oh, no, is that my line? -[sighs] 373 00:18:44,340 --> 00:18:46,342 You know, it's gone clear out of my head. 374 00:18:46,386 --> 00:18:48,431 -This isn't funny to me, okay? -No, no. 375 00:18:48,475 --> 00:18:50,041 It's a very dramatic scene. It's just-- 376 00:18:50,085 --> 00:18:51,347 -Hey! -It's just that we've done it 377 00:18:51,391 --> 00:18:52,870 -too many times. -I screwed up, okay? 378 00:18:52,914 --> 00:18:55,046 And it's lost its entertainment value. 379 00:18:55,090 --> 00:18:56,439 I know that. 380 00:18:56,483 --> 00:18:57,962 I do love the location 381 00:18:58,006 --> 00:18:59,312 that you've chosen this time. 382 00:18:59,355 --> 00:19:00,661 After you left, the last month-- 383 00:19:00,704 --> 00:19:02,271 I mean, with the ocean in the background-- 384 00:19:02,315 --> 00:19:03,968 On set, I couldn't think without you. 385 00:19:04,012 --> 00:19:06,841 -Nothing makes-- -It's a great touch, Bob. 386 00:19:06,884 --> 00:19:09,539 But see, this is why you're such a brilliant director. 387 00:19:09,583 --> 00:19:12,107 Because you get the details. 388 00:19:12,151 --> 00:19:14,196 I couldn't think without you, you understand? 389 00:19:14,240 --> 00:19:16,329 I want to come home. 390 00:19:16,372 --> 00:19:17,634 I'm out of business without you. 391 00:19:17,678 --> 00:19:19,419 Oh, no, you skipped a section, Bob. 392 00:19:19,462 --> 00:19:22,248 There's the part where you swear it didn't mean anything. 393 00:19:22,291 --> 00:19:25,381 You were lonely,drinking too much,working too hard. 394 00:19:25,425 --> 00:19:27,514 I'm--I'm in love with her. 395 00:19:31,387 --> 00:19:33,781 Oh, no, you're not. 396 00:19:33,824 --> 00:19:36,044 Yeah. 397 00:19:36,087 --> 00:19:38,394 With the translator? 398 00:19:40,483 --> 00:19:42,050 With the German girl? 399 00:19:42,093 --> 00:19:43,704 That doesn't change how I feel about you, 400 00:19:43,747 --> 00:19:45,445 and I don't see why it should. 401 00:19:45,488 --> 00:19:47,490 Oh, my God. 402 00:19:47,534 --> 00:19:49,623 You're right, Gwen. Jesus, you're right. 403 00:19:49,666 --> 00:19:51,451 How many times have I lied to you? 404 00:19:51,494 --> 00:19:52,887 How many times have I stood there 405 00:19:52,930 --> 00:19:54,367 and I promised it's the last time? 406 00:19:54,410 --> 00:19:56,325 I don't want to lie to you anymore. 407 00:19:56,369 --> 00:19:58,066 I don't want to sneak around. 408 00:19:58,109 --> 00:20:00,590 I want to be able to see Hannah 409 00:20:00,634 --> 00:20:02,940 and then come home and not bullshit you. 410 00:20:02,984 --> 00:20:06,422 Maybe I should find a lover, too, then, huh? 411 00:20:06,466 --> 00:20:08,424 How about that? 412 00:20:10,426 --> 00:20:13,429 -That's not your style. -No, of course not. 413 00:20:14,430 --> 00:20:16,432 You're stronger than I am. 414 00:20:16,476 --> 00:20:18,652 Oh, up yours! 415 00:20:22,525 --> 00:20:23,874 Just let me-- 416 00:20:23,918 --> 00:20:25,528 -No. -I need you. 417 00:20:25,572 --> 00:20:28,705 Hold--hold--hold on. Hold--hold--hold on. 418 00:20:28,749 --> 00:20:30,490 Hey, hey, hey, hold on. 419 00:20:30,533 --> 00:20:32,274 Hey, listen to me... 420 00:20:32,318 --> 00:20:33,406 [waves crashing loudly] 421 00:20:33,449 --> 00:20:35,973 -No! -Hey, hey. 422 00:20:36,017 --> 00:20:37,410 Where are you going? 423 00:20:37,453 --> 00:20:39,455 I'm trying to be honest with you. 424 00:20:41,152 --> 00:20:44,155 What happens after I stop being a baseball player? 425 00:20:44,199 --> 00:20:45,592 Then where would I be? 426 00:20:45,635 --> 00:20:47,376 Well, now, that, of course, is fairly well known. 427 00:20:47,420 --> 00:20:48,464 -Yes. -After all, 428 00:20:48,508 --> 00:20:50,553 there's nothing unusual about it. 429 00:20:50,597 --> 00:20:52,120 How do you suppose some of these politicians 430 00:20:52,163 --> 00:20:54,165 around town got started? 431 00:20:54,209 --> 00:20:56,516 And parking lot owners? 432 00:20:56,559 --> 00:20:58,300 BOB: Uh-uh, not quite. 433 00:20:58,344 --> 00:21:01,521 Try taking it straight out to the audience. 434 00:21:01,564 --> 00:21:04,306 Um, after all, there's nothing unusual about it. 435 00:21:04,350 --> 00:21:06,526 How do you suppose some of these politicians 436 00:21:06,569 --> 00:21:08,441 around town got started? 437 00:21:08,484 --> 00:21:09,920 And parking lot owners? 438 00:21:09,964 --> 00:21:11,487 [laughs] 439 00:21:11,531 --> 00:21:13,533 -Too much? -No, if you do it like that, 440 00:21:13,576 --> 00:21:15,230 you'll get the laugh every time. 441 00:21:15,274 --> 00:21:17,232 I feel like I'm upstaging myself right now. 442 00:21:17,276 --> 00:21:19,756 Don't cross so far downstage. 443 00:21:19,800 --> 00:21:21,889 A couple of other things, gentlemen. 444 00:21:21,932 --> 00:21:23,673 [indistinct chatter] 445 00:21:23,717 --> 00:21:26,459 Why don't we rethink the whole beginning... 446 00:21:29,505 --> 00:21:31,986 -GWEN: Okay. -SCOTT: Okay. 447 00:21:34,945 --> 00:21:36,947 Hi, Hal. 448 00:21:36,991 --> 00:21:38,732 Great to see you, darling. 449 00:21:42,388 --> 00:21:45,826 Hey, I tried calling you last night. 450 00:21:45,869 --> 00:21:47,567 Oh, I stayed at Scott's place. 451 00:21:47,610 --> 00:21:51,222 Oh, I need--I need to talk to you about some stuff. 452 00:21:51,266 --> 00:21:53,268 Well, I need to warm up. 453 00:21:54,748 --> 00:21:57,054 [sighs] 454 00:21:57,098 --> 00:22:00,231 Listen, what happened-- what happened yesterday, 455 00:22:00,275 --> 00:22:02,408 it's a complicated situation. 456 00:22:02,451 --> 00:22:05,585 We can't talk about this right now, okay? 457 00:22:05,628 --> 00:22:07,500 Hey, give me a break. 458 00:22:15,638 --> 00:22:17,553 -Hey, hey, hey, hey. -Stop it. 459 00:22:17,597 --> 00:22:19,294 What are you doing? 460 00:22:21,296 --> 00:22:22,950 I'd like to be alone, please. 461 00:22:22,993 --> 00:22:26,388 Well, I want to talk to you. 462 00:22:26,432 --> 00:22:28,042 Can I talk to you? 463 00:22:29,783 --> 00:22:33,613 Look, I'm sorry if I hurt your feelings yesterday. 464 00:22:33,656 --> 00:22:36,442 I'm really sorry. It's a complicated situation. 465 00:22:36,485 --> 00:22:39,662 -We can't do this, Bobby. -Can't do what? 466 00:22:39,706 --> 00:22:41,534 [stammers] 467 00:22:41,577 --> 00:22:45,494 You knew I was married. You knew I was married. 468 00:22:51,326 --> 00:22:53,154 -So I-- -Yeah, no, I just-- 469 00:22:57,593 --> 00:22:59,595 I didn't know... 470 00:23:02,076 --> 00:23:05,514 That your wife is so sick, she can't walk. 471 00:23:05,558 --> 00:23:07,560 All right, listen, she's-- 472 00:23:07,603 --> 00:23:10,040 you know, you got to understand something. 473 00:23:10,084 --> 00:23:11,172 Will you look at me? 474 00:23:13,392 --> 00:23:15,568 She's... 475 00:23:15,611 --> 00:23:18,309 she loves dance. 476 00:23:18,353 --> 00:23:20,921 She--listen to me. 477 00:23:24,620 --> 00:23:27,275 She can still work sometimes, when it's--when it's-- 478 00:23:27,318 --> 00:23:31,279 when it's not-- when she's not in a lot of-- 479 00:23:31,322 --> 00:23:35,326 when it's manageable, and if word starts to get around 480 00:23:35,370 --> 00:23:38,808 to producers, she... 481 00:23:38,852 --> 00:23:41,463 Who's going to hire a dying actress? 482 00:23:46,860 --> 00:23:50,516 What do you want from me? I'm--I'm-- 483 00:23:50,559 --> 00:23:55,346 The only thing I want to do, the only thing I want to do 484 00:23:55,390 --> 00:23:57,958 is be with you. 485 00:23:58,001 --> 00:24:00,351 Do you hear what I'm saying? 486 00:24:04,660 --> 00:24:06,662 I'm sorry. 487 00:24:09,186 --> 00:24:13,060 -But I can't take away... -Hey. 488 00:24:13,103 --> 00:24:16,411 A dying woman's husband. 489 00:24:18,152 --> 00:24:19,675 I love you. 490 00:24:19,719 --> 00:24:22,504 I want to buy you the moon and the stars, you understand? 491 00:24:22,548 --> 00:24:24,550 You're everything. I'm in love with you. 492 00:24:24,593 --> 00:24:27,596 I love you. You are everything I want. 493 00:24:27,640 --> 00:24:31,861 -I'm sorry. -Hey, hey, don't do that. 494 00:24:31,905 --> 00:24:33,689 Don't do that. 495 00:24:35,909 --> 00:24:37,650 [sighs deeply] 496 00:24:37,693 --> 00:24:39,652 I can fix it, I can fix it. 497 00:24:39,695 --> 00:24:42,785 [door opens, closes] 498 00:24:42,829 --> 00:24:46,180 I already talked about Gloria's exit. 499 00:24:46,223 --> 00:24:48,574 Oh, the musical chairs number at the end of the act, Bobby. 500 00:24:48,617 --> 00:24:50,097 It's not playing. 501 00:24:50,140 --> 00:24:52,229 The audience was a sea of coughs. 502 00:24:52,273 --> 00:24:54,623 I counted six peoplegetting up to use the bathroom. 503 00:24:54,667 --> 00:24:56,712 I've drilled it with Eddie 100 times. 504 00:24:56,756 --> 00:24:58,714 -He's missing every laugh. -Well, why don't we 505 00:24:58,758 --> 00:25:00,760 give the whole sequence a good,hard look in the morning? 506 00:25:00,803 --> 00:25:02,892 I'm telling you, Mr. Abbott, it's--it's Eddie. 507 00:25:02,936 --> 00:25:05,112 Well, in the meantime, Jerry, start thinking 508 00:25:05,155 --> 00:25:07,810 of what else you have that we could fit there. 509 00:25:07,854 --> 00:25:09,899 No, um, the sequence works, Mr. Abbott. 510 00:25:09,943 --> 00:25:12,554 With all due respect, I-- 511 00:25:12,598 --> 00:25:14,817 you saw it in the rehearsal room, you saw it. 512 00:25:14,861 --> 00:25:16,384 Well, seeing it in front of an audience, 513 00:25:16,427 --> 00:25:18,821 I start to question whetherit's just not the right concept 514 00:25:18,865 --> 00:25:20,693 You know, the New York audiences are going to be even tougher. 515 00:25:20,736 --> 00:25:23,260 Well, I'd like to at least seeit with another dancer in thepart. 516 00:25:23,304 --> 00:25:25,219 -Who? -Me. 517 00:25:25,262 --> 00:25:28,701 Put me in. I know exactlywhat the performance is missing. 518 00:25:28,744 --> 00:25:29,745 The performance isn't an issue, Bobby. 519 00:25:29,789 --> 00:25:31,007 -I disagree. -Gentlemen. 520 00:25:31,051 --> 00:25:32,835 We'll look at it tomorrow. We can discuss it then. 521 00:25:32,879 --> 00:25:34,837 Oh, the masking, backstage left. 522 00:25:34,881 --> 00:25:37,797 Yeah, I can see people moving furniture back there. 523 00:25:37,840 --> 00:25:39,799 If we can lose ten minutes in the first act. 524 00:25:39,842 --> 00:25:41,452 HAL: Even five would help. 525 00:25:41,496 --> 00:25:43,063 ABBOT: How long is the number running? 526 00:25:43,106 --> 00:25:44,804 HAL: It feels like an hour and a half. 527 00:25:44,847 --> 00:25:45,935 Honey, go back to bed. 528 00:25:45,979 --> 00:25:47,850 ABBOT: He did the same thing on the last show. 529 00:25:47,894 --> 00:25:49,678 HAL: Mm-hmm. Look, we say, 530 00:25:49,722 --> 00:25:51,985 "Bobby, we talked about it. We heard your opinion. 531 00:25:52,028 --> 00:25:54,944 We decided it's cut." End of discussion. 532 00:25:54,988 --> 00:25:57,773 ABBOT: What's the name of that sandwich place? 533 00:25:59,688 --> 00:26:00,646 [shoes tapping] 534 00:26:00,689 --> 00:26:02,735 [phone dial whirring] 535 00:26:02,778 --> 00:26:04,824 WOMAN: Hello, Taft Hotel. How may I direct your call? 536 00:26:04,867 --> 00:26:08,654 Hello, operator. Give me George Abbott's room. 537 00:26:08,697 --> 00:26:11,482 -WOMAN: Yes. -[line trilling] 538 00:26:11,526 --> 00:26:13,659 -This is Hal. -Hal, how are you? 539 00:26:13,702 --> 00:26:15,225 HAL: Bobby, did you have a nice dinner? 540 00:26:15,269 --> 00:26:16,879 Yeah, I'm not calling too late, am I? 541 00:26:16,923 --> 00:26:18,751 -HAL: What's that? -I'm in the room next door. 542 00:26:18,794 --> 00:26:21,405 -I heard everything you said. -HAL: Did I say something bad? 543 00:26:21,449 --> 00:26:23,799 We're talking about the show. 544 00:26:23,843 --> 00:26:26,236 -You go behind my back? -HAL: Nobody's going behind your back. 545 00:26:26,280 --> 00:26:27,629 You go behind my back-- 546 00:26:27,673 --> 00:26:28,499 HAL: We're having our nightly meeting here. 547 00:26:28,543 --> 00:26:30,676 -Sweetie. -You're having a meeting? 548 00:26:30,719 --> 00:26:31,851 What kind of meeting? A Judas meeting? 549 00:26:33,679 --> 00:26:34,767 HAL: It's what we do, Bobby. 550 00:26:34,810 --> 00:26:37,117 You want to cut the number, cut the number, that's fine. 551 00:26:37,160 --> 00:26:39,859 HAL: Bobby, we're in previews. This is what we do. 552 00:26:39,902 --> 00:26:41,512 Why don't you go fuck yourself? 553 00:26:42,731 --> 00:26:45,125 What did they say? 554 00:26:45,168 --> 00:26:46,430 [knock at door] 555 00:26:46,474 --> 00:26:47,867 HAL: Bobby, let us in, please. 556 00:26:47,910 --> 00:26:51,261 -Yeah, why not? Let them in. -Uh, hold on. 557 00:26:51,305 --> 00:26:52,915 -HAL: It's us, Bobby. -Let's have a metting. 558 00:26:52,959 --> 00:26:54,917 -Just stay calm, okay? -I am calm. 559 00:26:54,961 --> 00:26:56,702 [shoes tapping] 560 00:26:56,745 --> 00:26:59,356 I'm very sorry, Joanie. Listen, Bobby. 561 00:26:59,400 --> 00:27:02,272 I'm glad you heard what I said.This isn't a secret. 562 00:27:02,316 --> 00:27:03,796 I would've told you the same thing an hour ago. 563 00:27:03,839 --> 00:27:05,449 The number doesn't work. 564 00:27:05,493 --> 00:27:06,929 BOB: The audience isn't responding. 565 00:27:06,973 --> 00:27:09,540 It's just--it's the end of the act. 566 00:27:09,584 --> 00:27:12,065 We need something with a little more, uh--what? 567 00:27:12,108 --> 00:27:14,720 -What--it needs to be fun. -More energy. 568 00:27:14,763 --> 00:27:17,679 HAL: Everyone in this room respects you so much, Bobby. 569 00:27:17,723 --> 00:27:20,813 We respect your work. You're doing a terrific job. 570 00:27:20,856 --> 00:27:22,684 We weren't even going to bring this up until tomorrow. 571 00:27:22,728 --> 00:27:24,686 Look, the number can stay in the show 572 00:27:24,730 --> 00:27:26,557 for the next few nights. 573 00:27:26,601 --> 00:27:27,950 This isn't an emergency. 574 00:27:27,994 --> 00:27:30,344 Look, it can stay in for the rest of the run. 575 00:27:30,387 --> 00:27:33,173 You can put something together by the time we get to Boston. 576 00:27:33,216 --> 00:27:36,393 -You're saying it's shit? -They didn't say that. 577 00:27:36,437 --> 00:27:39,701 That is not at all what we are saying, Bobby. 578 00:27:39,745 --> 00:27:42,399 No, if you're saying it's shit, Hal, I tell you. 579 00:27:42,443 --> 00:27:44,793 I'd rather open that door, walk out in the street, 580 00:27:44,837 --> 00:27:47,274 and step in front of a bus than have an audience 581 00:27:47,317 --> 00:27:49,145 watch Eddie mangle that number again. 582 00:27:49,189 --> 00:27:51,539 I'd rather-- I'd rather slit my throat. 583 00:27:51,582 --> 00:27:55,325 So is that what you want? You want another number? 584 00:27:55,369 --> 00:27:56,544 I can get you another-- 585 00:27:56,587 --> 00:27:57,893 [glass clatters] 586 00:27:57,937 --> 00:27:59,765 It's easy, I'll get you another number. 587 00:27:59,808 --> 00:28:02,332 -That's--that's... -Oh, boy. 588 00:28:02,376 --> 00:28:05,335 [shoes tapping] 589 00:28:06,815 --> 00:28:09,818 Bob, can you please come back here? 590 00:28:12,778 --> 00:28:13,909 Bobby! 591 00:28:15,824 --> 00:28:17,739 [knock at door] 592 00:28:22,788 --> 00:28:23,963 Bobby, it's the middle of the night. 593 00:28:24,006 --> 00:28:26,748 Yeah, okay. Can I see Gwen please? 594 00:28:26,792 --> 00:28:29,969 She's asleep. I need to see Gwen, okay? 595 00:28:30,012 --> 00:28:31,927 Who is it? What happened? 596 00:28:31,971 --> 00:28:34,625 They're trying to cut the musical chairs. 597 00:28:34,669 --> 00:28:35,888 They think it's shit. 598 00:28:35,931 --> 00:28:37,803 They're laughing at me, and they all think it's shit. 599 00:28:37,846 --> 00:28:40,022 -I can't do it anymore. -I hear you. 600 00:28:40,066 --> 00:28:41,981 I'll be down in five minutes. You get us a cab. 601 00:28:42,024 --> 00:28:44,984 [soft music] 602 00:28:45,027 --> 00:28:51,860 ♪ 603 00:29:11,532 --> 00:29:14,840 [jazz music] 604 00:29:14,883 --> 00:29:21,716 ♪ 605 00:29:25,328 --> 00:29:28,897 What about a tap number? 606 00:29:32,074 --> 00:29:34,250 Is it fun? Does it have energy? 607 00:29:34,294 --> 00:29:37,253 -They want energy. -Seems fun to me. 608 00:29:37,297 --> 00:29:40,866 How much more fun can this fucking musical take? 609 00:29:40,909 --> 00:29:42,302 How much more bullshit does this audience 610 00:29:42,345 --> 00:29:44,173 really need shoved down its throat? 611 00:29:44,217 --> 00:29:46,088 If you want me to come back-- 612 00:29:46,132 --> 00:29:48,090 What about another baseball number? 613 00:29:48,134 --> 00:29:51,006 [sighs] I'd rather gouge my eyes out. 614 00:29:51,050 --> 00:29:54,009 Do you like the idea of a mambo? 615 00:29:54,053 --> 00:29:58,927 I'd rather call Jerry Robbins and offer him the job myself. 616 00:29:58,971 --> 00:29:59,928 Let's hear it. 617 00:30:06,587 --> 00:30:09,677 [upbeat music] 618 00:30:09,720 --> 00:30:16,553 ♪ 619 00:30:18,164 --> 00:30:21,080 Does this opus have words? 620 00:30:21,123 --> 00:30:22,864 ♪ Who's got the pain when they do the mambo? ♪ 621 00:30:22,908 --> 00:30:24,910 ♪ Who's got the pain when they go ugh? ♪ 622 00:30:24,953 --> 00:30:27,086 ♪ Who's got the pain when they do the mambo? 623 00:30:27,129 --> 00:30:28,522 -♪ I don't know who -Okay. 624 00:30:28,565 --> 00:30:30,350 -♪ Do you? -All right, moving on. 625 00:30:30,393 --> 00:30:33,135 -No, play it again.-LONNIE: Uh, fromthe same place? 626 00:30:33,179 --> 00:30:34,876 From the top, Lonnie. 627 00:30:34,920 --> 00:30:37,052 LONNIE: ♪ Who's got the pain when they do the mambo? 628 00:30:37,096 --> 00:30:39,750 ♪ Who's got the pain when they go ugh? ♪ 629 00:30:39,794 --> 00:30:41,448 But they want fun. 630 00:30:41,491 --> 00:30:45,017 ♪ 631 00:30:45,060 --> 00:30:47,236 It is fun. 632 00:30:47,280 --> 00:30:48,281 Listen. 633 00:30:50,152 --> 00:30:53,242 It's a song about pain. 634 00:30:53,286 --> 00:30:55,244 Bobby, listen to the lyrics. 635 00:30:55,288 --> 00:30:57,333 They're not going to hear that.They're not goingto hear anything. 636 00:30:57,377 --> 00:31:00,032 They'll be too busy looking at you, 637 00:31:00,075 --> 00:31:01,816 and you'll be smiling so wide, 638 00:31:01,860 --> 00:31:05,733 and you'll be dancing so magnificently... 639 00:31:07,082 --> 00:31:08,736 They'll think it's a musical. 640 00:31:10,825 --> 00:31:14,263 But you'll know, and I'll know. 641 00:31:14,307 --> 00:31:15,786 That's what we do, though, isn't it? 642 00:31:15,830 --> 00:31:18,485 We take what hurts, and we turn it into a big gag, 643 00:31:18,528 --> 00:31:20,791 and we're singing, and we're dancing. 644 00:31:20,835 --> 00:31:21,967 The audience, they're yukking it up. 645 00:31:22,010 --> 00:31:23,925 They're laughing so hard, they don't realize 646 00:31:23,969 --> 00:31:26,493 that all they're laughing at is a person in agony. 647 00:31:26,536 --> 00:31:28,843 A person who's peeled off his own skin. 648 00:31:35,894 --> 00:31:37,591 I can make this work. 649 00:31:47,601 --> 00:31:49,603 What about that shoulder thing you do? 650 00:31:51,344 --> 00:31:52,606 Yeah. 651 00:31:54,913 --> 00:31:58,394 -Do you have any hats? -I have one in my bag. 652 00:31:58,438 --> 00:31:59,874 [both exclaim] 653 00:31:59,918 --> 00:32:01,876 [mambo music playing] 654 00:32:01,920 --> 00:32:03,008 [both exclaim] 655 00:32:03,051 --> 00:32:09,928 ♪ 656 00:32:14,628 --> 00:32:16,195 [both exclaim] 657 00:32:16,238 --> 00:32:17,892 BOTH: ♪ Who's got the pain when they do the mambo? ♪ 658 00:32:17,936 --> 00:32:19,894 ♪ Who's got the pain when they go ugh? ♪ 659 00:32:19,938 --> 00:32:21,983 ♪ Who's got the pain when they do the mambo? ♪ 660 00:32:22,027 --> 00:32:24,072 ♪ I don't know who, do you? 661 00:32:24,116 --> 00:32:26,074 ♪ Who needs a pill when they do the mambo? ♪ 662 00:32:26,118 --> 00:32:28,120 ♪ Who needs a pill when they go ugh? ♪ 663 00:32:28,163 --> 00:32:30,339 ♪ Who needs a pill when they do the mambo? ♪ 664 00:32:30,383 --> 00:32:32,211 ♪ I don't know who, do you? 665 00:32:32,254 --> 00:32:36,171 Oh, Gwen. Oh, hello. 666 00:32:36,215 --> 00:32:38,391 Bobby promised he would introduce us at the party, 667 00:32:38,434 --> 00:32:40,567 but I'm so glad I don't have to wait. 668 00:32:40,610 --> 00:32:45,267 Well, I am a huge admirer of yours. 669 00:32:45,311 --> 00:32:46,703 Oh! 670 00:32:46,747 --> 00:32:47,443 BOTH: ♪ Someone must be sick with the heat ♪ 671 00:32:47,487 --> 00:32:49,619 ♪ Or stepping on everyone's feet ♪ 672 00:32:49,663 --> 00:32:51,882 ♪ But if everyone's feeling okay ♪ 673 00:32:51,926 --> 00:32:53,623 ♪ Why don't they just say olé? ♪ 674 00:32:53,667 --> 00:32:55,625 ♪ When the music carries them away ♪ 675 00:32:55,669 --> 00:32:57,845 ♪ Ugh, who's got the pain when they do the mambo? ♪ 676 00:32:57,888 --> 00:32:59,716 JOANIE: You know, you and Bobby have done 677 00:32:59,760 --> 00:33:02,284 such wonderful work together. 678 00:33:02,328 --> 00:33:05,287 Really, you capture every nuance, 679 00:33:05,331 --> 00:33:07,028 every little quirk in his choreography. 680 00:33:07,072 --> 00:33:09,204 I'd say it's like watching him up there, 681 00:33:09,248 --> 00:33:12,816 but it's more like watching what he wishes he was. 682 00:33:12,860 --> 00:33:15,167 Well, he's a wonderful teacher. 683 00:33:15,210 --> 00:33:17,952 Oh, well, you have taught him plenty. 684 00:33:17,996 --> 00:33:20,085 I see bits of you all over that stage. 685 00:33:20,128 --> 00:33:21,956 That's what Bobby does. 686 00:33:22,000 --> 00:33:24,263 He takes what's special in a girl, and he makes it his own. 687 00:33:24,306 --> 00:33:28,441 Well, that's what they all do, isn't it? 688 00:33:28,484 --> 00:33:31,313 ♪ Is there a doctor in the house? ♪ 689 00:33:31,357 --> 00:33:33,272 ♪ 690 00:33:33,315 --> 00:33:36,275 ♪ Is there a doctor in the house? ♪ 691 00:33:36,318 --> 00:33:38,146 JOANIE: You know,Bobby and I met on a show, too. 692 00:33:38,190 --> 00:33:41,062 We were doing thissilly little revue called Dance Me A Song. 693 00:33:41,106 --> 00:33:43,325 It was his first time on Broadway. 694 00:33:43,369 --> 00:33:45,675 He was a dancer in the chorus. I was the lead. 695 00:33:45,719 --> 00:33:47,242 He used to wait for me in the wings 696 00:33:47,286 --> 00:33:48,417 with a flower every night. 697 00:33:48,461 --> 00:33:50,289 GWEN: How sweet. 698 00:33:50,332 --> 00:33:52,073 Well, his wife didn't think so. 699 00:33:52,117 --> 00:33:53,988 See, he was married to one of the girls 700 00:33:54,032 --> 00:33:56,251 in the chorus, Mary-Ann. 701 00:33:56,295 --> 00:33:58,210 He left her not long after that. 702 00:33:58,253 --> 00:34:01,300 ♪ 703 00:34:01,343 --> 00:34:03,041 [both exclaim] 704 00:34:03,084 --> 00:34:05,304 JOANIE: Did he tell you I got him his first job as a choreographer? 705 00:34:05,347 --> 00:34:07,088 He'd gone to Hollywood thinking he was going to be 706 00:34:07,132 --> 00:34:08,959 the next Fred Astaire. 707 00:34:09,003 --> 00:34:11,310 Can you imagine? God knows he had the talent. 708 00:34:11,353 --> 00:34:13,573 He just didn't have the... 709 00:34:13,616 --> 00:34:17,359 well, whatever it is that makes you you, Gwen. 710 00:34:17,403 --> 00:34:18,926 [exclaims] 711 00:34:18,969 --> 00:34:21,320 JOANIE: He never thanked me for giving him a career. 712 00:34:21,363 --> 00:34:22,973 He didn't want to be a choreographer. 713 00:34:23,017 --> 00:34:25,976 All he ever wanted to be was a star. 714 00:34:26,020 --> 00:34:28,109 I guess he thought I could make him one. 715 00:34:28,153 --> 00:34:30,590 Well, maybe you'll do better. 716 00:34:30,633 --> 00:34:36,639 ♪ 717 00:34:39,729 --> 00:34:41,122 -JOANIE: Okay, bye. -GWEN: Bye-bye. 718 00:34:42,515 --> 00:34:44,343 [door closes] 719 00:34:44,386 --> 00:34:47,041 [exhales deeply] 720 00:34:47,085 --> 00:34:52,742 ♪ 721 00:34:52,786 --> 00:34:54,266 [both exclaim] 722 00:34:54,309 --> 00:34:58,487 ♪ 723 00:34:58,531 --> 00:35:00,489 [exclaims] 724 00:35:00,533 --> 00:35:04,493 ♪ 725 00:35:04,537 --> 00:35:06,191 [applause] 726 00:35:09,324 --> 00:35:11,805 [footsteps approaching] 727 00:35:23,295 --> 00:35:25,384 I was looking for you. 728 00:35:44,142 --> 00:35:47,319 [bittersweet music] 729 00:35:47,362 --> 00:35:52,454 ♪ 730 00:35:52,498 --> 00:35:54,543 [heavy breathing] 731 00:35:54,587 --> 00:36:01,420 ♪ 732 00:36:10,385 --> 00:36:11,865 Get rid of him. 733 00:36:13,388 --> 00:36:17,087 -I need you to leave him. -Only if you leave her. 734 00:36:17,131 --> 00:36:23,964 ♪ 735 00:36:38,457 --> 00:36:39,588 Gwen. 736 00:36:39,632 --> 00:36:46,465 ♪ 737 00:36:52,732 --> 00:36:56,170 [orchestral rendition of "Whatever Lola Wants"] 738 00:36:56,214 --> 00:36:57,737 ♪ 739 00:36:57,780 --> 00:36:59,826 [applause] 740 00:36:59,869 --> 00:37:06,702 ♪ 741 00:37:23,197 --> 00:37:25,286 I didn't say you had to go. 742 00:37:25,330 --> 00:37:27,375 Well, I'm certainly not staying here 743 00:37:27,419 --> 00:37:28,898 for another minute. 744 00:37:28,942 --> 00:37:30,378 I-I can get another room. 745 00:37:30,422 --> 00:37:32,467 -You can spendthe night, Joanie.-No, thank you. 746 00:37:32,511 --> 00:37:34,948 I don't want yourushing off to thecity like this. 747 00:37:34,991 --> 00:37:37,124 Let me help you with that. 748 00:37:37,167 --> 00:37:39,431 -Don't you dare. -It's okay, you know, I-- 749 00:37:42,477 --> 00:37:47,526 I was thinking you could stay at my place for a while. 750 00:37:49,789 --> 00:37:52,487 Eventually, we could look for something bigger. 751 00:37:53,967 --> 00:37:55,925 Yeah. 752 00:37:55,969 --> 00:37:58,537 I may have to borrow a little money. 753 00:37:58,580 --> 00:38:01,409 She may need a nurse, you know,to take care of her. 754 00:38:01,453 --> 00:38:03,933 You know I can't afford much on my salary. 755 00:38:03,977 --> 00:38:05,674 I'm getting out of your way, Bobby. 756 00:38:05,718 --> 00:38:07,241 Joanie. 757 00:38:07,285 --> 00:38:08,547 -That's exactly whatyou wanted, isn't it?-Listen to me. 758 00:38:08,590 --> 00:38:10,331 You want my permission? You've got my permission. 759 00:38:10,375 --> 00:38:12,464 But that is not enough, is it? 760 00:38:12,507 --> 00:38:14,335 I'm sorry. I... 761 00:38:14,379 --> 00:38:16,381 I'm sorry. 762 00:38:16,424 --> 00:38:22,952 ♪ 763 00:38:22,996 --> 00:38:24,432 Of course. 764 00:38:30,525 --> 00:38:32,614 It's a comp-- complicated situation. 765 00:38:32,658 --> 00:38:34,181 It's not. 766 00:38:34,224 --> 00:38:37,184 [cheerful music] 767 00:38:37,227 --> 00:38:40,709 ♪ 768 00:38:40,753 --> 00:38:47,020 ♪ You've got to have heart 769 00:38:47,063 --> 00:38:50,806 ♪ All you really need is heart ♪ 770 00:38:50,850 --> 00:38:53,809 ♪ When the odds are saying you'll never win ♪ 771 00:38:53,853 --> 00:38:58,510 ♪ That's when the grin should start ♪ 772 00:38:58,553 --> 00:39:01,991 ♪ You got to have hope 773 00:39:02,035 --> 00:39:05,647 ♪ Mustn't sit around and mope 774 00:39:05,691 --> 00:39:08,737 ♪ Nothing's half as bad as it may appear ♪ 775 00:39:08,781 --> 00:39:13,002 ♪ Wait till next year and hope ♪ 776 00:39:13,046 --> 00:39:16,528 ♪ When your luck is batting zero ♪ 777 00:39:16,571 --> 00:39:19,574 ♪ Get your chin up off the floor ♪ 778 00:39:20,662 --> 00:39:23,970 ♪ Mister, you can be a hero 779 00:39:24,013 --> 00:39:25,885 ♪ You can open any door 780 00:39:25,928 --> 00:39:28,540 ♪ There's nothing to it but to do it ♪ 781 00:39:28,583 --> 00:39:31,673 ALL: ♪ We've got heart 782 00:39:31,717 --> 00:39:35,198 ♪ Miles and miles and miles of heart ♪ 783 00:39:35,242 --> 00:39:38,593 ♪ Oh, it's fine to be a genius, of course ♪ 784 00:39:38,637 --> 00:39:42,771 ♪ But keep that old horse before the cart ♪ 785 00:39:42,815 --> 00:39:46,035 ♪ So what the heck's the use of crying? ♪ 786 00:39:46,079 --> 00:39:47,689 MAN: ♪ Why should we curse? 787 00:39:47,733 --> 00:39:50,997 MAN 2: ♪ We've got to get better, 'cause we can't get worse ♪ 788 00:39:51,040 --> 00:39:53,042 ALL: ♪ And to add to it 789 00:39:54,348 --> 00:39:58,308 ♪ We've got heart 790 00:39:58,352 --> 00:40:02,051 ♪ We've got heart 791 00:40:02,095 --> 00:40:03,792 ♪ We've got heart 792 00:40:03,836 --> 00:40:05,794 ♪ 793 00:40:05,838 --> 00:40:09,276 [cheers and applause] 794 00:40:09,319 --> 00:40:12,366 [bright music playing] 795 00:40:12,410 --> 00:40:18,459 ♪ 796 00:40:49,011 --> 00:40:51,623 -No, I'll get this, Miguel. -Where you going? 797 00:40:51,666 --> 00:40:54,843 -Where you going?-Well, I have a plane to catch. 798 00:40:54,887 --> 00:40:56,628 Come inside. Joan's making dinner. 799 00:40:56,671 --> 00:40:58,543 -We're having drinks-- -We're ready. 800 00:40:58,586 --> 00:41:01,110 -Uh, let's see, whatam I forgetting?-Where you going? 801 00:41:01,154 --> 00:41:03,722 My wallet, my keys, sunglasses. 802 00:41:03,765 --> 00:41:06,725 -It's always something. -Just come inside the house. 803 00:41:06,768 --> 00:41:08,509 Well, I already called Nicole. She's expecting me home. 804 00:41:08,553 --> 00:41:10,163 Hey, just-- you made your point. 805 00:41:10,206 --> 00:41:12,121 Oh, and I let her know that you won't 806 00:41:12,165 --> 00:41:13,775 be living with us anymore. 807 00:41:13,819 --> 00:41:16,082 But I'll let you call to explain. 808 00:41:16,125 --> 00:41:18,780 You might want togive it some time,though, 'cause she's very upset. 809 00:41:18,824 --> 00:41:21,130 All right, come on, come on. 810 00:41:21,174 --> 00:41:23,611 Ow! 811 00:41:23,655 --> 00:41:25,395 Hey, stop messing around. 812 00:41:25,439 --> 00:41:27,397 -I'm rolling up the window. -Just come--I'm not leaving. 813 00:41:27,441 --> 00:41:28,529 I'm not leaving. Okay. 814 00:41:28,573 --> 00:41:29,748 Are you kidding? 815 00:41:29,791 --> 00:41:31,619 -Go. Let's go. -Come on. 816 00:41:31,663 --> 00:41:33,708 [soft music] 817 00:41:33,752 --> 00:41:35,318 [applause] 818 00:41:35,362 --> 00:41:42,195 ♪ 819 00:41:51,857 --> 00:41:54,120 ["Show Me the Way To Get Out of This World" by Peggy Lee] 820 00:41:54,163 --> 00:41:56,818 ♪ Show me the way to get out of this world ♪ 821 00:41:56,862 --> 00:41:59,691 ♪ 'Cause that's where everything is ♪ 822 00:41:59,734 --> 00:42:02,955 ♪ If everything is going, I don't wanna stay here ♪ 823 00:42:02,998 --> 00:42:04,783 ♪ Who wants to stick around 824 00:42:04,826 --> 00:42:06,175 ♪ And watch the world disappear? ♪ 825 00:42:06,219 --> 00:42:09,701 ♪ Now, I missed a thing or two away down the line ♪ 826 00:42:09,744 --> 00:42:12,399 ♪ I'd go back and get 'em, but I haven't the time ♪ 827 00:42:12,442 --> 00:42:15,620 ♪ So show me the way to get out of this world ♪ 828 00:42:15,663 --> 00:42:18,448 ♪ 'Cause that's where everything is ♪ 829 00:42:18,492 --> 00:42:21,974 ♪ I got some money in my pocket ♪ 830 00:42:22,017 --> 00:42:25,194 ♪ To buy a ticket on a rocket ♪ 831 00:42:25,238 --> 00:42:28,241 ♪ So show me the way to get out of this world ♪ 832 00:42:28,284 --> 00:42:30,460 ♪ 'Cause that's where everything is ♪ 833 00:42:30,504 --> 00:42:31,679 ♪ It's gone 834 00:42:31,723 --> 00:42:35,988 ♪ 'Cause that's where everything is ♪ 835 00:43:37,310 --> 00:43:40,052 Captioned by Captionmax 836 00:43:41,053 --> 00:43:45,057 [jazz music plays] 837 00:43:50,932 --> 00:43:51,890 Again. 838 00:43:51,933 --> 00:43:55,763 Fosse/Verdon. All new, Tuesdays at 10:00 on FX. 839 00:43:57,373 --> 00:43:58,940 [guitar plays rapidly] 840 00:44:00,550 --> 00:44:01,943 Very cool, Master. 841 00:44:01,987 --> 00:44:03,379 -[groans] -[cackles] 842 00:44:06,731 --> 00:44:08,123 -[music stops] -Name that tune! 843 00:44:09,168 --> 00:44:10,778 -[music resumes] -[hissing] 844 00:44:10,822 --> 00:44:11,953 Ow! 845 00:44:11,997 --> 00:44:13,912 [both cackling] 846 00:44:13,955 --> 00:44:16,915 "I'm a vampire. I'm immortal." 847 00:44:16,958 --> 00:44:19,700 -Creepy paper. -It's "crepe paper," Master. 848 00:44:19,744 --> 00:44:22,181 Creepy. Oh, multipack. 849 00:44:22,224 --> 00:44:23,922 ANNOUNCER: What We Do in the Shadows. 850 00:44:23,965 --> 00:44:27,142 All new, Wednesday at 10:00 on FX. 851 00:44:28,143 --> 00:44:30,363 [grunts] How did this happen? Uh! 852 00:44:32,191 --> 00:44:33,975 Have you been under a lot of stress lately? 853 00:44:34,019 --> 00:44:35,977 There's mean-girl issues with my youngest, 854 00:44:36,021 --> 00:44:37,849 and birth control with my oldest. 855 00:44:37,892 --> 00:44:39,720 My boyfriend broke up with me. 856 00:44:39,764 --> 00:44:41,113 -Which one? -Um... 857 00:44:41,156 --> 00:44:43,376 -And some mornings, I just...-Oh, my God. 858 00:44:44,856 --> 00:44:46,901 Fun mom! Hey! 859 00:44:46,945 --> 00:44:49,512 Can you please arrange for a pleasant dream while I'm under? 860 00:44:49,556 --> 00:44:52,124 -It's my specialty, dear. -Guess what my specialty is. 861 00:44:52,167 --> 00:44:53,168 [wheezing laugh] 862 00:44:53,212 --> 00:44:54,909 ANNOUNCER: Better Things. 863 00:44:54,953 --> 00:44:57,825 All new Thursdays at 10:00 on FX. 864 00:44:59,566 --> 00:45:01,002 [record static] 865 00:45:01,046 --> 00:45:04,353 [hip-hop beat] 866 00:45:08,706 --> 00:45:10,577 [rapid drumming] 867 00:45:10,620 --> 00:45:14,146 [beat resumes]